FUKUZUMI Ren

Teaching Staff (Liberal Arts Core)

Title	Associate Professor
Research Fields	Art Critic / Cultural Research
Education	2004 Doctoral Course, (Social and Cultural Studies – completed without degree), Graduate School, Kyushu University 2001 Master’s, (Social and Cultural Studies), Graduate School, Kyushu University 1994 Graduated, Faculty of Humanity, Wako University
Selected Professional Experience	2022-Present Associate Professor, Akita University of Art 2021-Present Technical Instructor, Tokyo University of the Arts 2020-2022 Part time lecturer, Wako University 2019-Present     Part time lecturer, Tokyo University of the Arts 2017-2022     Part time lecturer, Yokohama City University 2016-2022     Part time lecturer, Tokyo University of the Arts 2014-2022     Part time lecturer, Tama Art University 2012-2014     Part time lecturer, Tokyo University of the Arts
Recent Activities	(Recent Activities) <Selected Articles> 2022 Katarinaosu zenei, Bakuhatsusuru souzouryoku {Retelling the avant-garde, Imagination which is exploded.},April, BIJYUTSU SHUPPAN-SHA Minarenu Tokyo he. Tokyo biennale hihan [Unseen Tokyo. Criticism of Tokyo biennale.], Tokyo biennale 2020-2021 catalog Kotoba to karada. Gullicer no shintaihyougen wo meguru dansho. [Words and Body. The literary fragmentl around gulliver’s physical expression. “SHUZO AZUCHI GULLIVER “Breath Amorphous: Shosoku no shorai”” catalog （BankART1929） Kannen no matsuri Nishimonai bonodori.[The festival of notion, Nishimonai bonodori dance], (interview) Akita Sakigake shimposha, No.37, “Harakara” Nakamura Hiroshi Hihyo to sosaku no jikohihan. Kannen to kanko wo megutte [Nakamura Hiroshi : Self-criticism of a critique and a creation. Concerning a notion and a sightseeing.] Nakamura Yusuke hihan senshutsutsushin, Vol.7 Art as a media/Gendai kikakushitsu/ Bank ART1929 2021 Chi wo haumono, Mimi wo sumaserumono, Corona jidai ni okeru shintai to gendaigeijutu. [The person who crawls along the ground, the person who listens carefully, The body and contemporary art in the generation COVID-19. “TURN JOURNAL”(SPRING 2021-ISSUE 07/ Arts Council Tokyo.) Taikyoku kara kyoki he.[From the opposite to the madness.],”Shirakawa Yoshio kokoga jigokuka, gokurakuka”, mini catalog, Maruki Gallery For The Hiroshima Panels Kitarubeki sogo bijutsu.[Upcoming Comprehensive Arts.], “200nen wo tagayasu”, catalog, Arts Center Akita. Kagero no bijutsu hihyo.[The art criticism of dayfly.], “Bijutu techo”, October, BIJYUTSU SHUPPAN-SHA Art no kachi wo saseru system ni imananiga okiteirunoka.[What is happening the system which support the value of arts.], October, BIJYUTSU SHUPPAN-SHA 2020 Jinrui no fuhentekina sozoryoku he ‘Minzokugakuteki kaiten’ iko no bijyutsuka Aono Fumiaki [Toward the universal imagination: An artist in post-folkloric turning/Fumiaki Aono], AONO FUMIAKI “NAOSU”, sendai mediatheq Setsujituna jikan no kanata he [Beyond the serious time],ATSUSHI WATANABE  I’M HERE, BankART1929 Aida Makoto ‘Geizai’ to nihonbijyutsukyoiku no mujyun [Makoto AIDA:Geisai’ and a contradiction of the art education of Japan.],(Interview), Bungakuka January, Bungei SHhunju 2019 Nihon gendai art no shiso/Mochizuki katsura to kokuyokai [Pioneer of Japanese modern art /Katsura Mochizuki and kokuyokai] , Oyake no jidai: kanmin ni yoru kyodai project ga aitsugi enjo ya porikore ga hirogaru shinjidai, shakai ni art ga kakudaisuru ni ture maibotsu shite yuku ‘ Artist’ to sonosaki ni kieyuku ‘ko’ no ibasho o futari no bijyutsuka ga radical ni katari au [Public generation: New generation that big public/private　projects are facing flamed and that political corrections are spreading out sequentially in. Two artists expanded a radical discussion about place of “individuals” that is ceasing to appear with spreading of arts into the society] (Talk), Ryuta Ujyo and Osamu Matsuda, Asahi Press 2018     Riso o ikiru geijyutst [Arts and living the ideal], SUZU 2017      OKU-NOTO TRENNALE, Gendaikikakushitsu     Haneiron no Kanata he [Beyond Widerspiegelungs theorie],     Tsurumi Shunsuke zenmangaron1, Chikumagakugeibunko,     Chikumashobo     Imageron toshiteno ‘dokusha/sakusha kyodotai’  [ Reader &     writer association as the image theory], Tsurumi Shunsuke     zenmangaron2, Chikumagakugeibunko, Chikumashobo     Critical and curatorical: Kushino Nobumasa no nijyusei no     nijyusei no project [Critical and curatorial: Project of duality     by Nobumasa Kushino], Outside Japan, Eastpress 2017 Genkaigeijyutsugainen no saikochiku [Updating of Marginal Art theory], Updating the Concept of “Bjyutsu” (Art), Brückes 2016     Yoru no yama o aruku ko [Children walking around forest in the     night], Dobutsu no kotoba: kongenteki boryoku o koete     [Languages of animals: Beyond the primordial violence] (talk),     Tomoko Konoike, tobashoten 2015        Silver Art: Rojin geijyutsu [Silver art: Senior Art], Asahi Press     Enku o tabisuru [A journey to look for “Enku”], co-authored by     Takehiko Inoue, BIJYUTSU SHUPPAN-SHA     Nikutaikaiga to nikutaihyogen: Performance zenshi no tameno     sobyo [Painting/Expression of body: Sketches for pre-history     of the performance], Nihon bijyutsu zenshu Vol.19: kakuchosuru      sengobijyutsu [Expanding arts of post- World WarⅡ],     Shogakukan     Hamada Kiyoshi no kaiga illusion [The painting illusion of     Kiyoshi Hamada], Hamada Kiyoshi (Exhibition catalog),     NERIMA ART MUSEUM     Vernacular to genkaigeijyutsu: 2000nen iko no     nihongendaibijyutsu no jyokyo  [Vernacular and Marginal art:     art: Japanese Contemporary Arts after 2000], In Our Time      (Exhibition catalog),     21st Century Museum of Contemporary Art, Kanazawa     Konnichi no genkaigeijyutu hyakusen [100 Marginal art      Art field: Echigo tsumari art triennial 2015,  Matsudai,     “Nobutai” Gallery [The stage of agriculture]  2013     Kansatsusha no rekishi to sengobijyutsu no rekishi:     Gendaibijyuts no minzokugakuteki tenkai he mukete [Histories     of observers and Arts in post WWⅡ: Toward the ethnological     turning of the modern art], Rojyo to kansatu o meguru      hyogenshi:  kogengaku no ‘genzai’ [ The history of expression     over roads and observations: “The Present” in modernology],     Film Art     Animation and avant-garde: Kobayashi Shichiro ga taigensuru     avant-garde [ Kobayashi’s embodiment of avant-garde spirits],     REPRE, Hyoshobunkaron gakkai
Courses Taught	Transdisciplinary Arts Theory     Transdisciplinary Arts Seminar     Applied Transdisciplinary Arts Theory C     Transdisciplinary Arts Introduction Seminar A     Transdisciplinary Arts Introduction Seminar B     Guided Research Ⅰ、Ⅱ     Transdisciplinary Arts Theory Research Ⅰ、Ⅱ     Transdisciplinary Arts Theory Research Ⅰ、Ⅱ、Ⅲ     Transdisciplinary Arts Research: Expression Ⅱ

 Further details (in Japanese) can be found at the following link: FUKUZUMI Ren (Japanese page)